Categorized | ONE MANN'S OPINION

DIRECTOR JAY SIN INTERVIEW

(Christian Mann is the General Manager at Evil Angel Productions. We’ve put a space up for him on insideevilangel.com because he’s in the unique position of getting to constantly interact with our directors. Not only that, he gets news, etc. first! His first couple posts will be interviews that he held with a couple of our directors. After that, sky’s the limit. Enjoy!)

The following interview was held in November, 2008.
Jay Sin is a young director who combines an anarchic passion for girls’ holes (and what can be fit in them!) with a precociously disciplined artist’s eye for color and perspective. The result is an insidiously inviting, candy-colored pornographic world that’s immediately identifiable from the first minute of any given scene. Guys, when they’re present, are not the focus of Sin’s attention — like the oversized butt-plugs, double-headed dildos, candy canes & lollipops that his girls gleefully deep-throat & make disappear up each other’s pussies & asses, their cocks are mostly props for femme fun and games. Which, considering the gals’ rapaciously hungry holes, does make them the luckiest props ever!

Jay has been directing exclusively for Evil Angel over the last year, releasing a torrent of unusual and highly successful titles including Milk Nymphos, Deep Anal Abyss, Gape Lovers, Anal Acrobats and Anal Buffet. I (Christian Mann) caught up with Jay and pinned him down in a conversation that I’ll share with you now.

Jay Sin

Jay Sin

CM: What is an Anal Acrobat?
I got the name from John Stagliano. He was watching a scene featuring a girl doing tricks with her butt: inserting odd objects, slowly pushing them out, anal winking. John thought the word acrobats best explained what I show in my movies.

CM: How is this different than all the other anal themed movies out there?
What I serve in my movies is a large portion of anal action. My movies are overloaded with anal play. I do this because I used to fast forward to these parts in other videos, so in my movies, it’s non-stop.

CM: What is the most outrageous thing you’ve ever filmed?
Probably the whipped cream enema in Milk Nymphos 2. I made a nozzle for the top of a whipped cream can that could be inserted in the girls’ ass. In this case it was Emma Heart and Tia Sweets. They had a great time. There’s nothing mean or violent about it. It’s nasty but fun. That’s what I try to convey. I want the girls to push their nastiness to the limit, but it’s their doing. I give the girls the instruments and let them go. I just make sure it looks good. They’re in control. It’s bizarre, but it’s not rough. It’s a fetish.

CM: Who is the most daring performer you’ve ever shot?
Amber Rayne in Deep Anal Abyss 1. She took the longest toy in the ass of anyone I’ve ever seen. Probably 13”. I cast this movie looking for girls who could go deep. When she started, she said: “Sure, I’ll give it a shot”. Next thing I knew it was gone! There’s nothing Amber isn’t willing to try.

CM: What’s the funniest thing that ever happened on one of your sets?
In Gape Lovers 3 I had both girls (Amber Rayne & Adrianna Nicole) dressed as honey bees fighting over honey. They were trying to suck the honey out of each others’ asses… that’s where bees store their honey. Sean Michaels enters the scene as the king bee who has to get the honey out with his black stinger. Adrianna’s agent came to the set and was dying laughing. It’s pretty funny but the sex scene is one of the best I’ve shot all year. It’s all there on the DVD.

CM: Which adult directors inspired or continue to inspire your work?
Stagliano, Joey Silvera, Rocco, Japanese Hentai porn. I used to watch Christoph Clark’s movies before I was in the business. He was the first one to gape the girls, and he was the best at it.

CM: Is there anything in mainstream culture that inspires your work in adult?
I come from the extreme surfing/skating world, so it made sense to transition to extreme sex. To be honest, I also get a lot of my ideas from cartoons and comic books. My ideas come from all over the place. I try to portray a surrealistic, cutesy type of fantasy. I like to get close-up on the girls and show a perspective you normally don’t see. My focus is on the girls more than anything. I’ve had fans tell me they’ve seen a particular girl in a bunch of movies, but never the way they saw her in mine.

CM: What need or niche do you think is missing in adult movies that you’re trying to satisfy?
I’m starting a new series called Pretty Sloppy that focuses on spit play. Hot girls who normally don’t do anal are doing A-T-M, rimming, gapes, etc. Spit play and swapping is a big fetish that isn’t being served very well in movies. It will be the main focus, not just a side act in Pretty Sloppy.

CM: Your new release from Evil Angel is Anal Buffet. Tell us about that.
It’s a brand new release that incorporates many of the different anal niches that we’ve been talking about. It’s an-all-you-can watch buffet of gapes, spit play, huge cocks, deep anal insertions, plus a beach scene focusing on gorgeous girls, tan lines and oiled up buns. It’s the last scene cover-girl Annette Schwartz shot before returning to Germany and retiring. She’ll be missed.

CM: What’s different about being an Evil Angel director?
The awesome thing is the freedom that John Stagliano gives us to create our fantasies and then shoot them. We’re not encouraged to just follow a fad or trend. We’re allowed to shoot what turns us on personally knowing that there will be fans who share our passions. That’s why our stuff is always so real. I think that’s why it sells so well.

CM: Any closing thoughts to share with our readers?
I’m excited about my new blog: “Jay Sin’s Butt Blog”. It’s an opportunity for fans to speak to me directly, give me feedback about what they want to see in future releases and see some photos from upcoming titles. The blog isn’t a sales pitch or a sideways attempt to sell something; it’s a real community for people who share my passion. It’s a way for me to interact and also say thank you to the people who count the most: the viewers.

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